Monday, August 31, 2015

Writing and Healing Introduction


I found the introduction interesting but also a little too didactic in feel because there was not statistics and I was expected to take their word for it. Some key terms of the introduction are “control,” such as in this section, the chief healing effect of writing is thus to recover and to exert a measure of control over that which we can never control—the past” (7). This is important because the traumatic event is probably defined by danger and uncontrollability. However, healing doesn’t mean the person gets to completely control the present: “healing is neither a return to some former state of perfection nor the discovery or restoration of some mythic autonomous self. Healing, as we understand it, is precisely the opposite. It is change from a  singular self, frozen in time by a moment of unspeakable experience, to a more fluid, more narratively able, more socially integrated self” (7).

I also found this passage on page 3, “finding themselves in a culture that could not or would not understand or accept them, veteran’s symptoms only intensified” explains a part of the aftermath well and that trauma is not just the event itself but also how one carries that event with them in daily life. I also like how the authors did not specify an end result per say but definitely defined what is not the beginning, “healing arises from just such confusion and psychic pain, never from peace. It is when we are overloaded with past and present trauma that we are motivated to take on the difficult work of healing”(5). They briefly mentioned time, "traumatic events, because they do not occur within the parameters of "normal" reality, do not fit into the structure and flow of time," and this I found interesting and possibly similar in concept to any notable moment in a person's life (6). I also respected the honesty of the writers when they said that it can be challenging for teachers to deal with a student who writes about traumatic events as there is more needed attention both potentially time-wise  and in the discussion of the piece.
All of these pieces I found suitable to talk about in class.